7/28/17 - Busier

12/1/16 - Way stoked

8/9/16 - Ambient Chill

3/14/16 - Sewerage

PURCHASE PHYSICAL COPY:

  • Indie Merch

    PURCHASE DIGITAL COPY:
  • Amazon
  • eMusic
  • iTunes
  • Napster
  • Rhapsody
  • TOWER OF ROME
    "World War 1" CDEP

    HWC014
    Release Date: 6/6/06
    Track Listing:

    1. I Have To Tell You Something...I Eat Lightbulbs
    2. Do You Know What Divine Intervention Means?
    3. Oh My God!! He's Got An Arm Off
    4. Save Art: Kill An Art Kid
    5. 15 Year Olds Dude...15 Year Olds
    6. Two Dead Deer + One Dead Asian = Lung Cancer
    7. Does Your Friend Have A Name Or Should I Just Call Him Lawyer?
    8. This Message Will Surely Drain The Life From Willing Participants
    "You’ve got to love gridcore, it’s really the only genre that can produce albums that clock in at less than 12 minutes and get away with it. Purely violent and unrelenting in its blast beats, Tower of Rome’s World War 1 settles in as one of the best acts grindcore has to offer as of late. Though hugging the norm for this genre, Tower of Rome have their own sound, comparable to Agoraphobic Nosebleed or Melt Banana, but is in no way derivative of these bands. The harshest of screams accompany guitar and bass played so fast that without paying close attention one would think that the CD was skipping, and all this follows percussion of the most blistering of speeds. World War 1 begins with 28 seconds of fury in “I Have to Tell You Something...I Eat Light Bulbs.” Tagging you quickly and then just as quickly darting into the shadows, this track is over before you even know what is going on. The stuttering breakdown toward the end flows perfectly in to the next track, giving the album a sense of fluidity. “Save Art; Kill an Art Kid” starts just as violently, but slows to let a good pit stir for just a moment only to throw you back into a panic after only seconds. It is this type of composure; the ability to spin your senses, never giving you time to breath that makes for a great grindcore album. As far as beginning with this style, this is probably not the record you should buy first. Checking out some Pig Destroyer or A.C. would be a more appropriate first experience. As this sound is somewhat of an acquired taste, most are not going to enjoy this record, just as they would not enjoy any record in this category. But for those take pleasure in the genre, World War 1 is a winner. Bringing a unique sound without forsaking any of the brutality, Tower of Rome have put together an album well worth picking up and keeping in a prime spot in your music collection."
    30music.com

    "Illinois grind gurus Tower of Rome get all crusty and chaotic on your unsuspecting ass on their eight-track excursion WORLD WAR I. Equipped with blast beats and harsh bottom ends galore, throat-ripping screams, and the kind of manic guitar and bass work that scares small kids and household pets, with songs titled like “Save Art: Kill An Art Kid” in their arsenal, Tower of Rome must be a hoot to witness live as well. WORLD WAR I is the perfect soundtrack to piss off your neighbors, cause property damage, or bang your head incessantly to."
    316productions

    "Tower Of Rome is one sick grind band: blast beats, vomit-inducing vocals, and distorted-to-the-max guitars all in-check. Blistering by in a mere eleven minutes, World War 1 is the follow-up to the band’s even-shorter 2004 full-length, All Is Lost. As the disc moves forward, the songs gradually get longer. The opening cuts, “I Have To Tell You Something…I Eat Lightbulbs” and “Do You Know What Divine Intervention Means?” exist merely as noise before “Oh My God! He’s Got An Arm Off” takes off in a flurry of distorted guitars before ending with a breakdown demon. “Two Dead Deer Plus One Dead Asian Equals Lung Cancer” is simply brutal with its insane blast beats and frenzied rhythms while “15 Year Olds Dude, 15 Year Olds” can be summed up as exactly the same. The final two tracks are longer with even longer song titles but offer the most structured (if you can say that) sounds on the disc. The cleverly titled “This Message Will Surely Drain The Life From Willing Participants” is easily one of the better tracks as it contains a few highs and lows before ending with a mammoth breakdown. Tower Of Rome’s music surely isn’t for the faint of heart, but then again, what grind is? Fans of the typical leaders of the genre (The Locust, Daughters) take note as Tower Of Rome’s buzz seems to be gradually building out of their Illinois homeland. World War 1 is a short experience but one that contains enough raw intensity to interest devoted grind fans."
    Acclaimed Punk

    "Tower of Rome hails from the midwest/Chicago area. They are an all out grindcore/power violence assult! There is some crazy stuff in this album. Lighting quick drum beats push this band to the limits of insanity. This is defintely for people who dig bands like Melt Banana, The Locust, The Ultimate Warriors, Spazz, Man Is The Bastard and Index For A Potenial Suicide. This is a great grindcore/power violence album. It has above average production quality for the this type of genre. The bands sound is unique and solid. It even has some pretty decent mosh parts thrown in for good mesure."
    Decapolis

    "With the band name Tower of Rome and a record called Word War I, you might think you’re in for something epic. Not the case: eight in 11:25. Grind purists should be warned of both screamy vocals and "funny" song titles: for everyone else, the last two tracks stretch out a little and summon legit heaviness. The six shorter tracks that precede them show a little less personality."
    Decibel

    "When looking over a release with song titles such as "2 Dead Deer + 1 Dead Asian = Lung Cancer" and eight tracks that span under twelve minutes, one thought enters my mind: Aren't there enough of these bands already? Acts such as the Locust and Daughters certainly popularized spastic grindcore laden with obscure, tongue-in-cheek song titles. World War I is typical of the genre as it features a collection of nonstop blastbeats, whacky tempo changes, and frenzied, indecipherable screams. Heavily distorted guitar riffs do little besides alternate between furious discordance and ten second open chord breakdowns. Although the drumming is impressive in its speed, it offers nothing in terms of diversity as there is little that separates blastbeat from blastbeat. With similarities in vocals and guitar tones, comparisons could easily be made to a more grind-influenced From A Second Story Window. Since Tower of Rome is a relatively young band, I deemed it necessary to check out their debut EP to measure how they've progressed since the 2004 release of All Is Lost... To their credit, Tower of Rome displays a measurable amount of improvement from their debut release. World War I features more thoughtful riffs, smoother transitions, and proof that they can write a cohesive song over one minute in length ("Does Your Friend Have A Name." clocks in at an impressive two minutes and fifteen seconds!). Bottom Line: If you're familiar with the whole "noisecore" genre, you pretty much know what to expect from a band like Tower Of Rome. While World War I isn't treading any new ground, it serves as a noteworthy progression from Tower Of Rome's last effort and intimates that this band might have the ability to do good things in the future if they fine-tune their songwriting ability and decide to break the mold."
    Lambgoat

    "Tower of Rome likes to play fast, angry and brutal as a knife in babies crib. For those of you who like dirty evil mean grind, Tower of Rome is going to make you really happy until the next Daughters album comes out. However for the kids who haven’t heard a Pig Destroyer or Circle Takes the Square record this isn’t the best place to start. If you fall into that category, print out this review, keep it on your desk and go buy Pig Destroyer’s Prowler in the Yard and absorb it. Then come back to where you left this review and remind yourself to go buy this. If you already own Prowler you really have no excuse for not checking this band out."
    Mammoth Press

    "Merging the ferocity of old with the irony and cynicism of new, bringing Pig Destroyer hurtling headlong into clever, scene-kid-pleasing song titles such as ‘I Have To Tell You Something...I Eat Light Bulbs' and discordant, threatening time-signatures and tempo changes, Tower Of Rome absolutely slay with their second outing. There's none of that dull, beatdown-ridden pseudo-death metal garbage that gets passed off as grind now that sissies are squeezing into child-sized Suffocation t-shirts, ‘World War 1' is furious and discordant sonic carnage that at no point offers escape from the hostility. Until of course it ends and it does so all too soon. Eight tracks in eleven minutes leaves you dropped into silence like Timmy in the well just as soon as you're getting into it. Impressively their debut was even shorter so they're obviously taking it in baby-steps. It's a nice juicy little morsel but if you're paying more than eight quid for it you're getting raped right through the trousers and the bastard didn't even rubber up."
    Montagpress

    "This is the first time I've ever heard Tower of Rome. Their record label He Who Corrupts Inc. who were nice enough to send me over this MCD alongside their previous release All Is Lost, All Is Lost, All Is Yet to be Found. This is straight up, spazz grindcore in the vein of old Pig Destroyer with hints of Discharge. That means there are a lot of disjointed start/post passages, flat out blast beats with some choppy, abrasive segments in between. The vocals are a mix of nonsensical, indiscernible power-violence type screams and ear piercing upper midrange shrieks. The guitar tone, like the vocal style, is very sharp, indistinct and piercing while the drums and bass chug along beneath. The big change from their debut MCD is that the guitar riffing is decidedly noisy and dissonant. Every element of the band has taken a categorically abrasive turn. The frantic structuring of songs is such that just as you work out one riff, two more have already kicked in. There are a few odd tempo changes and a couple of more mid-paced passages and breakdowns. That being said, the group is definitely more about battering intensity then building up any kind of a groove. The song titles reflect said insanity, with names like I have to tell you something... I eat lightbulbs and Two dead deer + one dead asian = lung cancer. This is a decent release, and to be sure the drummer is quite impressive in terms of his blasting and double kick work. If you're into inconsequential spastic grindcore then chances are this will suit you fine. I'm of the opinion this band could be excellent with a little more structural development to make the songs more memorable, and seem like they actually have a point. Maybe the issue is this is merely an MCD. I won't pass definitive judgment on the band, they definitely have potential, I just don't believe they've reached it yet."
    Thrash Pit

    Store | News | Bands | Catalog | Personnel | Causes


    © Copyright 2013, HEWHOCORRUPTS INC. Site design by Aaron Tanner.